{"id":2293,"date":"2025-10-09T18:39:46","date_gmt":"2025-10-09T16:39:46","guid":{"rendered":"https:\/\/tevipa.com\/blog\/?p=2293"},"modified":"2025-10-09T18:39:47","modified_gmt":"2025-10-09T16:39:47","slug":"volumen-de-la-pieza-principal-3-anidar-formas-dentro-de-otras","status":"publish","type":"post","link":"https:\/\/tevipa.com\/blog\/volumen-de-la-pieza-principal-3-anidar-formas-dentro-de-otras\/","title":{"rendered":"Volumen de la pieza principal 3 &#8211; Anidar\u00a0 formas dentro de otras"},"content":{"rendered":"\n<p class=\"has-text-align-right has-small-font-size\"><sup><em>Publicado originalmente el&nbsp;<strong>7 Junio 2013<\/strong><\/em><\/sup><\/p>\n\n\n<style>.kb-image2293_5c100a-d9 .kb-image-has-overlay:after{opacity:0.3;}<\/style>\n<div class=\"wp-block-kadence-image kb-image2293_5c100a-d9 is-style-default\"><figure class=\"aligncenter size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"222\" height=\"300\" src=\"https:\/\/tevipa.com\/blog\/wp-content\/uploads\/2025\/07\/logo-cc1c-def-gran-222x300.jpg\" alt=\"Logo C\u00f3mo Cubrir un Cuerpo\" class=\"kb-img wp-image-68\" srcset=\"https:\/\/tevipa.com\/blog\/wp-content\/uploads\/2025\/07\/logo-cc1c-def-gran-222x300.jpg 222w, https:\/\/tevipa.com\/blog\/wp-content\/uploads\/2025\/07\/logo-cc1c-def-gran-757x1024.jpg 757w, https:\/\/tevipa.com\/blog\/wp-content\/uploads\/2025\/07\/logo-cc1c-def-gran-768x1039.jpg 768w, https:\/\/tevipa.com\/blog\/wp-content\/uploads\/2025\/07\/logo-cc1c-def-gran-1135x1536.jpg 1135w, https:\/\/tevipa.com\/blog\/wp-content\/uploads\/2025\/07\/logo-cc1c-def-gran-1514x2048.jpg 1514w, https:\/\/tevipa.com\/blog\/wp-content\/uploads\/2025\/07\/logo-cc1c-def-gran.jpg 1821w\" sizes=\"auto, (max-width: 222px) 100vw, 222px\" \/><\/figure><\/div>\n\n\n\n<h1 class=\"wp-block-heading has-text-align-center\" style=\"font-size:27px\"><strong><strong>Volumen de la pieza principal<\/strong><\/strong><br><strong>Anidar\u00a0 formas dentro de otras<\/strong><\/h1>\n\n\n\n<p class=\"text-justify\">Podemos anidar varias piezas en una forma principal,&nbsp; pondremos un ejemplo para explicar en qu\u00e9 consiste el anidamiento.<\/p>\n\n\n\n<p class=\"text-justify\">Llamamos anidar a incluir una pieza dentro de otra, la pieza que introduciremos ser\u00e1 m\u00e1s peque\u00f1a. Las piezas que anidaremos\u00a0deben ser sectores circulares (S), desarrollos de conos truncados (D), o bien rect\u00e1ngulos con uno de los lados fruncidos (Rfr).Si no frunci\u00e9ramos uno de los lados del rect\u00e1ngulo no estar\u00edamos anidando volumen, estar\u00edamos simplemente provocando unas costuras en la pieza.<\/p>\n\n\n\n<p class=\"text-justify\">Con el anidamiento conseguiremos dar o quitar volumen a la pieza principal o repartirlo de forma diferente.<\/p>\n\n\n\n<p class=\"text-justify\">La diferencia del anidamiento a los dos post anteriores radica en que el volumen lo damos en diferentes niveles y en que en el anidamiento no podemos obviar la costura. Siempre se ver\u00e1.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"549\" height=\"1024\" src=\"https:\/\/tevipa.com\/blog\/wp-content\/uploads\/2025\/10\/130607_1-549x1024.jpg\" alt=\"Ejemplo de anidamiento de sectores circulares dentro de una pieza rectangular en patronaje para generar volumen o vuelo\" class=\"wp-image-2295\" srcset=\"https:\/\/tevipa.com\/blog\/wp-content\/uploads\/2025\/10\/130607_1-549x1024.jpg 549w, https:\/\/tevipa.com\/blog\/wp-content\/uploads\/2025\/10\/130607_1-161x300.jpg 161w, https:\/\/tevipa.com\/blog\/wp-content\/uploads\/2025\/10\/130607_1-768x1432.jpg 768w, https:\/\/tevipa.com\/blog\/wp-content\/uploads\/2025\/10\/130607_1-824x1536.jpg 824w, https:\/\/tevipa.com\/blog\/wp-content\/uploads\/2025\/10\/130607_1-1098x2048.jpg 1098w, https:\/\/tevipa.com\/blog\/wp-content\/uploads\/2025\/10\/130607_1-1320x2461.jpg 1320w, https:\/\/tevipa.com\/blog\/wp-content\/uploads\/2025\/10\/130607_1-scaled.jpg 1373w\" sizes=\"auto, (max-width: 549px) 100vw, 549px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"text-justify\">Esta t\u00e9cnica de dar volumen fue muy utilizada por los corseteros&nbsp;para poder dar volumen al desarrollo lateral de la cadera conservando un derecho hilo en el costado, de ello hablaremos en un post sucesivo.<\/p>\n\n\n\n<p class=\"text-justify\">El caso que presentamos es el m\u00e1s t\u00edpico, el anidamiento de una o varias nesgas&nbsp;( tambi\u00e9n llamadas god\u00e9s o godets, barbarismo del franc\u00e9s \u201cgodet\u201d, aqu\u00ed en este sito, preferiremos referirnos a ella como sectores circulares o como nesgas que es su nombre castizo en castellano.<\/p>\n\n\n\n<p class=\"text-justify\">En nuestro ejemplo hacemos un doble anidamiento de nesga&nbsp;sobre una pieza rectangular. Este ejemplo lo podemos encontrar f\u00e1cilmente en el patronaje de una falda de ensayo de ballet cl\u00e1sico espa\u00f1ol o en una falda&nbsp; romera o en una bata de cola en las que se desea un incremento brutal del vuelo.<\/p>\n\n\n\n<p class=\"text-justify\">Abriremos la pieza a la que le vayamos a a\u00f1adir la nesga, si es posible al derecho hilo para que no se deforme la pieza a la que anidamos&nbsp;por el peso de la nesga. La apertura ser\u00e1 igual al lado del sector circular, o lo que es lo mismo por definici\u00f3n a la altura de la nesga.<\/p>\n\n\n\n<p class=\"text-justify\">Hemos representado el punto m\u00e1s alejado de la orilla de la pieza con la letra b. La nesga se coser\u00e1 desde la orilla de la pieza hasta el final del corte, que coincidir\u00e1 con el \u00e1pice del sector y desde all\u00ed coseremos el otro labio de la raja con el lado opuesto del sector.<\/p>\n\n\n\n<p class=\"text-justify\">En el caso de insertar un&nbsp; desarrollo de cono trunco evidentemente deberemos dar el valor del arco menor al nivel de inserci\u00f3n de la pieza perpendicularmente a la orilla.<\/p>\n\n\n\n<p class=\"text-justify\">Desde esa l\u00ednea paralela trazaremos&nbsp;dos perpendiculares a la orilla con lo que el corte que hemos hecho para la nesga se convertir\u00e1 en un rect\u00e1ngulo vaciado de la pieza.<\/p>\n\n\n\n<p class=\"text-justify\">Tambi\u00e9n podemos decidir&nbsp; de vaciar un tri\u00e1ngulo, con lo que estar\u00edamos&nbsp; convirtiendo el rect\u00e1ngulo al nivel de la inserci\u00f3n de la pieza en dos trapecios unidos &nbsp;a un rect\u00e1ngulo, con lo que acrecentar\u00edamos a\u00fan m\u00e1s el volumen. A su vez estos dos trapecios podr\u00edamos descomponerlos en do rect\u00e1ngulos con dos nesgas o sectores circulares.<\/p>\n\n\n\n<p class=\"text-justify\">Una imagen vale m\u00e1s que mil palabras. Sigue el gr\u00e1fico 2.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"549\" height=\"1024\" src=\"https:\/\/tevipa.com\/blog\/wp-content\/uploads\/2025\/10\/130607_2-549x1024.jpg\" alt=\"Esquema t\u00e9cnico que muestra c\u00f3mo insertar un desarrollo de cono truncado en una pieza rectangular, generando nuevos vol\u00famenes mediante trapecios y sectores circulares\" class=\"wp-image-2296\" srcset=\"https:\/\/tevipa.com\/blog\/wp-content\/uploads\/2025\/10\/130607_2-549x1024.jpg 549w, https:\/\/tevipa.com\/blog\/wp-content\/uploads\/2025\/10\/130607_2-161x300.jpg 161w, https:\/\/tevipa.com\/blog\/wp-content\/uploads\/2025\/10\/130607_2-768x1432.jpg 768w, https:\/\/tevipa.com\/blog\/wp-content\/uploads\/2025\/10\/130607_2-824x1536.jpg 824w, https:\/\/tevipa.com\/blog\/wp-content\/uploads\/2025\/10\/130607_2-1098x2048.jpg 1098w, https:\/\/tevipa.com\/blog\/wp-content\/uploads\/2025\/10\/130607_2-1320x2461.jpg 1320w, https:\/\/tevipa.com\/blog\/wp-content\/uploads\/2025\/10\/130607_2-scaled.jpg 1373w\" sizes=\"auto, (max-width: 549px) 100vw, 549px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"text-justify\">De la misma forma que damos\u00a0 volumen podemos quitarlo o bien darlo y quitarlo seg\u00fan como anidemos las piezas.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El anidamiento consiste en incluir una pieza dentro de otra para modificar el volumen o la ca\u00edda de una prenda. Usando sectores circulares, conos truncados o rect\u00e1ngulos fruncidos, se pueden generar faldas con vuelo o efectos de expansi\u00f3n volum\u00e9trica sin perder el control estructural del patr\u00f3n<\/p>\n","protected":false},"author":1,"featured_media":2295,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[1018,23],"tags":[44,30,90,1133,80,1135,1137,40,42],"class_list":["post-2293","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archivo","category-patron","tag-como-cubrir-un-cuerpo","tag-comocubriruncuerpo","tag-escuela-de-moda","tag-falda","tag-patronaje","tag-sector-circular","tag-sector-de-capa","tag-tele-virtual-patronage","tag-televirtualpatronage"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Volumen de la pieza principal 3 - Anidar\u00a0 formas dentro de otras - Tele Virtual Patronage<\/title>\n<meta name=\"description\" content=\"Aprende a anidar formas geom\u00e9tricas en patronaje para generar o redistribuir volumen. 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